Oil On Canvas, Real Flavor of Old Masters

All Thomas Girtin 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
32783  
Bamburgh Castle,, Thomas Girtin
  		 Bamburgh Castle,   mk81 Northumberland c.1797-9
94491  
Bamburgh Castle, Northumberland, Thomas Girtin
  		 Bamburgh Castle, Northumberland   1797-1799 Dimensions 55 x 45 cm (21.7 x 17.7 in) cjr
56164  
berry pomeroy castle,devon, Thomas Girtin
  		 berry pomeroy castle,devon   mk247 1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
94487  
Das Weibe Haus in Chelsea, Thomas Girtin
  		 Das Weibe Haus in Chelsea   1800 Dimensions 29,8 x 51,4 cm cjr
94492  
Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen, Thomas Girtin
  		 Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen   1799(1799) Dimensions 41,5 x 53,6 cm cjr
56593  
durham cathedral and bridge, Thomas Girtin
  		 durham cathedral and bridge   mk248 vyer fran storbritannirn var mycket efterfragade nar kriget med frankrike bindrade folk fran att resa i ovriga europa. det ansags ocksa patriotiskt av de rika att bestalla bilder av brttiska nationalmonument. girtin kunde manipulera ljusforingen for att uppna den stamning som efterfragades, fran dramatiskt till fridfullt. han revolutionerade akvarelltekniken genom att slop grundfargen ocb mala med akvarellfargerna direkt pa papperet. sarskilt akvarellpapper var sallsynt ocb konstnarer malade pa allt slags papper.karduspapper. till exempel, uppskattades for den grova strukturen det anvandes egentligen som boljen till krutladdninger.
94493  
Guisborough Priory, Yorkshire, Thomas Girtin
  		 Guisborough Priory, Yorkshire   1801(1801) cjr
94495  
In the Scotch Borders, Thomas Girtin
  		 In the Scotch Borders   cjr
94488  
Interior of Lindisfarne Priory, Thomas Girtin
  		 Interior of Lindisfarne Priory   1797(1797) cjr
94485  
Jedburgh Abbey from the River, Thomas Girtin
  		 Jedburgh Abbey from the River   1798-1799 cjr
94494  
Kirkstall Abbey, Yorkshire, Thomas Girtin
  		 Kirkstall Abbey, Yorkshire   1801(1801) Dimensions 30,5 x 52 cm cjr
26066  
Kirkstall Abbey,Yorkshire-Evening (mk47), Thomas Girtin
  		 Kirkstall Abbey,Yorkshire-Evening (mk47)   c.1800 Watercolour 317x520mm Victoria & Albert Museum,London
94489  
Lindisfarne, Thomas Girtin
  		 Lindisfarne   1798(1798) cjr
68806  
near beddgelert, Thomas Girtin
  		 near beddgelert   north wales, 1798 watercolour 29x43.2cm se
94496  
Near Bolton Abbey, Thomas Girtin
  		 Near Bolton Abbey   33 x 52 cm cjr
94483  
Portrait of Thomas Girtin, Thomas Girtin
  		 Portrait of Thomas Girtin   18/19th century cjr
94497  
Rue Saint-Denis in Paris, Thomas Girtin
  		 Rue Saint-Denis in Paris   1802(1802) Dimensions Deutsch: 39 x 49 cm cjr
85437  
The collector of tithes, Thomas Girtin
  		 The collector of tithes   oil on Canvas(1663-1720) cyf
56592  
the tihe barn abbotsbuy, Thomas Girtin
  		 the tihe barn abbotsbuy   mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
31322  
The White House at Chelsea, Thomas Girtin
  		 The White House at Chelsea   nn07
Thomas Girtin
English Romantic Painter, 1775-1802 English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms



USA Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors